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🎯 Behance’s first 100 users
A counterintuitive solve for the chicken-and-egg problem
Read time: 3 minutes 11 seconds
Writing to you from Coogee beach here in sunny Sydney 🏝️
30°C right now.
My to do list:
✔️ Snorkel
🔲 Hit ‘Send’ on this breakdown
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Chess Move
The what: A TLDR explanation of the strategy
Tell me you’ve never faced a chicken-and-egg problem like this:
Users won't join your platform without great content
→ Content creators won't invest effort to join without users already consuming contentUsers won’t search your marketplace with no businesses
→ Businesses won’t invest effort to join without users already searching for businessesUsers won't download your social app without their friends
→ Friends won't invest effort to join without their own friends already there
Behance, now a 40-million-member creative network acquired into the Adobe ecosystem, came up with an elegant solution to this timeless dilemma:
→ Eliminate the perceived ‘effort investment’ by onboarding the first 100 ideal users manually.
"Nobody really wanted to set things up themselves on a platform without any traffic, so we did a lot of it ourselves.” — Scott Belsky, co-founder of Behance
By providing a white-glove service for their early ICP, they created a foundation of high-quality portfolios that shaped the future of the platform.
Recalling early days of @Behance setting up portfolios for designers we admired (who had no time/interest to join a new site w/ no traffic). These first ~100 "perfect" portfolios primed the pump & set the bit.
Big co's forget the value of non-scalable activities, which gives… x.com/i/web/status/1…
— scott belsky (@scottbelsky)
10:02 PM • Mar 8, 2023
💡 | Strategy Playbook: Establish the initial network by spoon-feeding an early cohort of ideal users. |
Breakdown
The how: The strategic playbook boiled down to 3x key takeaways
1. Bootstrap the initial content
Rather than prematurely developing an organic growth lever for the network, the Behance team carefully engineered a perfect initial state:
Hand-picking only the creatives who’s work they admired the most
Developing portfolios that properly showcased the platform’s features
Populating each portfolio with multiple impressive projects (avg 5-10 per portfolio)
Writing blog posts about how top creatives were getting value from the platform
By doing “things that don’t scale”, Behance rapidly became a network that appeared full of great work.
This had multiple benefits:
Inspiration for future users
Establishing a high quality-bar
Learning what ideal users wanted
Creating social proof for organic growth
By late 2007, the strategy was working: Dozens of new projects were being posted daily by complete strangers.
2. Self-perpetuating quality engine
When new visitors landed on Behance, they only saw exceptional projects. No ghost town. No mediocre work. Just a carefully curated gallery of the highest caliber creative output.
This wasn't just content moderation - it was strategic positioning. By hand-picking exceptional projects to showcase, Behance created an aspirational environment that set the tone for the future of the platform:
What "great" looked like
How the community would behave
Which creatives would be attracted to join
By optimising for their perfect users early on, Behance created a space where elite creators naturally wanted to congregate.
This triggered a powerful flywheel: building features to showcase exceptional work attracted exceptional creators, who in turn produced more exceptional work to showcase on the platform.
💯 “utility precedes community” is a theme among successful social consumer products.
Same happened with @Behance: users came for portfolio display utility, stayed for discovery experience and community.
— scott belsky (@scottbelsky)
6:54 PM • Jan 12, 2020
Behance understood that achieving quality-at-scale meant avoiding flooding the platform with low-quality content early on.
Intense curation and establishing a clear standard meant every new visitor immediately understood: this is where the world's best creative talent (and creative work) lives.
3. Staggered customer acquisition
Behance developed a methodical approach to growing beyond their initial ‘ideal user’ base:
“Contrary to logic, you don’t want all of your customers right away.” — Scott Belsky
Stage 1: The Willing
Target: Early adopters ready to experiment
Approach: Personal outreach to admired creators
Goal: Build perfect example portfolios
Stage 2: The Forgiving
Target: Users who understand beta products
Approach: Invitation-only access
Goal: Maintain quality while expanding
Stage 3: The Viral
Target: Influencers who can spread the word
Approach: Open access (but still curated)
Goal: Accelerate growth without sacrificing standards
Stage 4: The Valuable
Target: Users with high lifetime-value
Approach: Laser-focus on engagement and retention metrics
Goal: Maximise revenue per user
Stage 5: The Profitable
Target: Enterprise customers and power-users who justify high costs
Approach: Premium features and pricing tiers
Goal: Optimise profit margins, even at the expense of total user count
The lesson in all this: focus on excellence before scale to build something that eventually achieves both.
Rabbit Hole
The where: 3x high-signal resources to learn more
[3 minute watch]
Today’s treasure for the internet archaeologists reading.
276 views, 240p quality, published 13 years ago.
A foreshadow of Behance’s strategic positioning, philosophy for curation, and advice for online creatives.
[1 minute read]
An early Behance blog post (or even manifesto) on one of the company’s defining practices: ‘Launching in beta’.
“You may be uncertain – and some things may remain unfinished – but you’ve got to push it out. The reasons are both practical and psychological.”
[7 minute read]
Deep dive interview on Behance’s role in Adobe's high-stakes transition from boxed software to cloud subscriptions:
How Adobe convinced Wall Street to accept short-term pain
The internal debates around pricing and packaging
Why community became critical for subscription retention
That’s all for today’s breakdown - hope you enjoyed!
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— Tom
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